Under the hood, the project packs some 320 partials and internal sound shaping, dual filter sections with 20 filter types, “dissonance effect” modulation, and in case your mind remained somehow unbent, a 34-band vocoder. Whereas incredible sonic creations have been hidden too often in software behind banks of bland, faux knobs, Razor’s dynamic spectral display makes both the partials and their transformation in time clear and hypnotically beautiful. In a step forward for Reaktor, this synth doesn’t just sound different – it looks different, too. The result is a synth that gets sonically surprising in a hurry, and it represents the sort of multi-dimensional thinking I hope catches on in synthesis. Taking additive synthesis to a new conceptual level, it works with the concept of per-partial control but adds functions like wavetables, enveloping, and effects to each partial individually. ![]() ![]() Native Instruments has a new synth based on the Reaktor engine, and it’s one about which to be genuinely excited.
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